{"id":20364,"date":"2016-07-21T13:56:05","date_gmt":"2016-07-21T11:56:05","guid":{"rendered":"https:\/\/www.cgmouthpiece.it\/?p=20364"},"modified":"2017-01-11T16:33:59","modified_gmt":"2017-01-11T15:33:59","slug":"incontrare-nuovamente-un-artista-del-calibro-di-branford-marsalis","status":"publish","type":"post","link":"https:\/\/www.cgmouthpiece.it\/fr\/incontrare-nuovamente-un-artista-del-calibro-di-branford-marsalis\/","title":{"rendered":"Meet again a great artist like Branford Marsalis was exciting!"},"content":{"rendered":"<p>Meet again a\u00a0great\u00a0artist like Branford Marsalis was exciting. Talk to him about mouthpieces.. Even more!<\/p>\n<p>After our first meeting at the Blue Note in Milan, we met again Branford Marsalis during his concert in Milan. Guest of his outstanding quartet (Joey Calderazzo on piano, Eric Revis on bass, Justin Faulkner on drums) Kurt Elling, wonderful voice of jazz:\u00a0in this project it&rsquo;s not just a voice, but it is a real instrument which interacts with the rest of the group.\u00a0It was also great to see on stage as a surprise guest Emanuele Cisi, great italian saxophonist internationally acknowledged and long-time friend of Branford&#8230; Hearing them play together on <em>Doxy<\/em> (Sonny Rollis) was wonderful!<\/p>\n<p><img loading=\"lazy\" class=\" wp-image-20369 alignleft\" src=\"https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmet-BranfordB-300x172.jpg\" alt=\"CGMmet-BranfordB\" width=\"391\" height=\"224\" srcset=\"https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmet-BranfordB-300x172.jpg 300w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmet-BranfordB-768x440.jpg 768w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmet-BranfordB-1024x587.jpg 1024w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmet-BranfordB-600x344.jpg 600w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmet-BranfordB-149x85.jpg 149w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmet-BranfordB-450x258.jpg 450w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmet-BranfordB-555x318.jpg 555w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmet-BranfordB.jpg 1034w\" sizes=\"(max-width: 391px) 100vw, 391px\" \/>We met Branford Marsalis just after the first set, polite and friendly as always. We gave with pleasure the Infinito model was born thanks to the indications and considerations on mouthpieces of the previous meeting: create a mouthpiece without baffle, dark, full-bodied and easy to manage\u00a0despite the timbric\u00a0complexity.<\/p>\n<p>For me and Tiziano these inputs are crucial to feed the continuous research aimed at creating mouthpieces for \u00ab\u00a0real musicians\u00a0\u00bb, thinking to their actual needs without worrying about costs or ease of realization.<\/p>\n<p>His research on the tenor sax is now directed towards a much darker sound, almost a return to basics and to the sound of the early masters of the tenor sax. A sound that does not run away but all the time they can vibrate in all its width and richness.<\/p>\n<p><em>Upward Spiral<\/em> the title of the album, as if to evoke the dynamic spiral and the emotional tension of a project that embraces different styles .. thanks Branford!<\/p>\n<p><img loading=\"lazy\" class=\"wp-image-20370 aligncenter\" src=\"https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmetBranfordStage-300x160.jpg\" alt=\"CGMmetBranfordStage\" width=\"418\" height=\"223\" srcset=\"https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmetBranfordStage-300x160.jpg 300w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmetBranfordStage-768x410.jpg 768w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmetBranfordStage-1024x547.jpg 1024w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmetBranfordStage-600x321.jpg 600w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmetBranfordStage-149x80.jpg 149w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmetBranfordStage-450x240.jpg 450w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmetBranfordStage-555x297.jpg 555w, https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGMmetBranfordStage.jpg 1164w\" sizes=\"(max-width: 418px) 100vw, 418px\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8230;<\/p>\n","protected":false},"author":3,"featured_media":20368,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[76],"tags":[85,61,86,66,87,88],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Incontrare nuovamente un artista del calibro di Branford Marsalis \u00e8 stato<\/title>\n<meta name=\"description\" content=\"Dopo il nostro primo incontro al Blue Note di Milano di qualche mese fa, abbiamo incontrato nuovamente Branford Marsalis in occasione del suo concerto.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cgmouthpiece.it\/incontrare-nuovamente-un-artista-del-calibro-di-branford-marsalis\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Incontrare nuovamente un artista del calibro di Branford Marsalis \u00e8 stato\" \/>\n<meta property=\"og:description\" content=\"Dopo il nostro primo incontro al Blue Note di Milano di qualche mese fa, abbiamo incontrato nuovamente Branford Marsalis in occasione del suo concerto.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cgmouthpiece.it\/incontrare-nuovamente-un-artista-del-calibro-di-branford-marsalis\/\" \/>\n<meta property=\"og:site_name\" content=\"CG MouthPiece\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cgmouthpiece.it\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-07-21T11:56:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-01-11T15:33:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cgmouthpiece.it\/wp-content\/uploads\/2016\/07\/CGmetBranford.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"837\" \/>\n\t<meta property=\"og:image:height\" content=\"648\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Claudio Guida\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" 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He attended the Advanced Course in Jazz at the Conservatory \"G. Verdi \" in Milan getting a specialistic degree. He graduated also in Electronic Music still at the Milan Conservatory. He followed the masterclasses at the \"C.I.F.M.\" in Nice (FR). He also attended the Functional Voice training masterclasses. He has collaborated with the \"OFSI\"Brass Orchestra of Italian Switzerland, the \"Piemonte Youth Symphony Orchestra\", the \"Symphony Orchestra of Savona\", and since 1998 with the Milano Symphony Orchestra \"Giuseppe Verdi\", in which he worked under the direction of renowned masters including Riccardo Chailly, Yutaka Sado, Alun Francis, Luciano Berio and Milan Turkovic, and accompanied numerous soloists. He is a member UPO Saxophone Quartet ( sax quartet University of Eastern Piemonte ) and Oblivion sax Quartet. 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